In a corner of the graveyard belonging to the Winchester Cathedral in England is a copy of a copy of a gravestone in memory of Thomas Thetcher.
The original gravestone from 1764 which was restored in 1781 was later destroyed. A replacement was created and installed by the North Hants Militia in 1802. Hampshire County Council designated it as a Hampshire Treasure of unique cultural meaning, and in 1966 it was moved for safekeeping to the Royal Hampshire Regimental Museum at Serle’s House in Winchester.
Medical professionals have proposed that Thetcher’s death was the result of “deglutition syncope”: a loss of consciousness during or immediately after swallowing which causes heart arrhythmia. This rare syndrome can occur when a particularly cold liquid is consumed on an extremely hot day.
In Memory Of Thomas Thetcher A Grenadier In The North Reg. Of Hants Militia, Who Died Of A Violent Fever Contracted By Drinking Small Beer When Hot The 12 May 1764 Aged 26 Years.
In Grateful Remembrance Of Whose Universal Good Will Towards His Comrades, This Stone Is Placed Here At Their Expence, As A Small Testimony Of Their Regard And Concern.
Here Sleeps In Peace A Hampshire Grenadier, Who Caught His Death By Drinking Cold Small Beer, Soldiers Be Wise From His Untimely Fall And When Ye’re Hot Drink Strong Or None At All.
This Memorial Being Decay’d Was Restor’d By The Officers Of The Garrison A.D. 1781.
An Honest Soldier Never Is Forgot Whether He Die By Musket Or By Pot.
The Stone Was Replaced By The North Hants Militia When Disembodied At Winchester, On 26 April 1802, In Consequence Of The Original Stone Being Destroyed.
And Again Replaced By The Royal Hampshire Regiment 1966.
Okay, hands up how many of you thought this post was about a newspaper stand? Not so. In architectural terms a newsstand is a small structure that protects an item placed there, or in this case, the framing of a niche created in a wall.
This memorial located in the Cimitero Monumentale, Milan, Italy, overlooks the main avenue of the Cemetery and is known as the Edicola Izar. It was commissioned by Emilia Macchi to honour her deceased husband Federico and her sons Marco and Giovanni Battista who died at ages twenty-one and twenty-two. The bronze composition known as Faith was constructed in 1904 by sculptor Felice Bialetti. When Emilia passed in 1924 she was also placed in the newsstand.
The scene shows two emaciated bodies wrapped in shrouds, embracing in death, as they reach out to hold the hand of their mother Emilia. Portraits of Federico, Marco and Giovanni are set into a low arch.
The city of Paris has acknowledged the plight of Jews in the multitude of memorials dedicated to the victims of the German concentration camps. Within the grounds of Pere Lachaise Cemetery each concentration camp is recognized on its own memorial.
AUSCHWITZ, the main camp, was located in Oświęcim in southern Poland to hold Polish political prisoners. The camp went on to become a major site of the Nazis’ Final Solution to the Jewish Question. Most of the Jews from all over German-occupied Europe who were sent to the camp were gassed on arrival. More than 1.3 million men, women and children died in the Auschwitz and Birkenau camps, the vast majority of whom were Jews.
Auschwitz was also known as Monowitz-Buna, Buna and Auschwitz III. The memorial consists of five emaciated figures in bronze bearing witness to the suffering and exhaustion of the deportees. A body carried in a wheelbarrow reminds us of the frightening mortality of this camp.
BIRKENAU This memorial is in the form of a column with the featureless silhouette of a human figure standing over an engraved plaque. Written in script are lines from the poet Paul Eluard: When we will no longer kill, they will be avenged … The only vow of justice has life as its echo.
BERGEN-BELSEN in northern Germany was an “exchange camp” where Jewish hostages were held with the intention of exchanging them for German prisoners of war held overseas.
The memorial represents the railway tracks leading to the gates of the camp. Between the ‘railway tracks’ are footprints in various sizes representing all age groups arriving at the camp. It was in this camp that the young Anne Franck died along with her sister.
1943 They suffered and hoped. You fight for your freedom. 1945 We broke their bodies never their minds.
BUCHENWALD near Weimar, Germany, was one of the first and the largest of the concentration camps within Germany’s 1937 borders. Many actual or suspected communists were among the first internees. All prisoners worked primarily as forced labor in local armaments factories.
The memorial expresses the horror and violence in the concentration camp system. Three emaciated prisoners define suffering, death, solidarity and resistance.
DACHAU, north of Munich in southern Germany, was a forced labor camp which imprisoned Jews, German and Austrian criminals, and eventually foreign nationals from countries that Germany occupied or invaded.
The two pillars forming a gateway are symbolic of the gates of Heaven. The red granite triangle represents the patch worn on political prisoners’ clothes.
A plaque to the left of the stairs is inscribed with a quotation by Edmond Michelet. We have surveyed abysses in ourselves and in others.
DRANCY was an internment camp run by the French located in a northeastern suburb of Paris. It was an assembly and detention camp for confining Jews who were later deported to the extermination camps.
The Memorial reads in translation Inscription engraved at Ninth Fort of Kaunas deported by Convoy 73. In memory of 878 Jews deported from Drancy May 15, 1944 to Kaunas (Lithuania) and Reval-Tallinn (Estonia). 22 returned in 1945.
FLOSSENBURG A map identifies the location of the camp which unlike other concentration camps was located in a remote area in the mountains of Bavaria. Quarries, arms and aviation factories surrounded it. Although the camp’s initial purpose was to exploit the forced labor of prisoners for the production of granite for Nazi architecture they eventually produced armaments for the war effort.
The imprint of a staircase of ten steep steps are visible at the base of the monument in addition to four blocks of cut stone.
MAUTHAUSEN This concentration camp was located on a hill above the market town of Mauthausen in Upper Austria. It was one of the first massive concentration camp complexes in Nazi Germany, and the last to be liberated by the Allies.
Seven blocks of were used to reproduce the monument. Stairs carved into the granite from the quarry of Mauthausen represent 186 uneven steps known as the staircase of death that prisoners had to mount with stones weighing more than 20 kilos on their backs. A bronze statue depicts an emaciated prisoner collapsing under the weight of his load.
NATZWEILER-STRUTHOF located in the Vosges Mountains in France was the only concentration camp established by the Nazis on French territory. Prisoners were mainly from the resistance movements in German-occupied territories. This labor and transit camp eventually became a place of execution.
This memorial is the form of a triangle. The red triangle identified political prisoners and the letter F was an indication to the Germans that the prisoner could speak French and could be called upon to translate. The bronze sculpture of an emaciated figure lies beneath a stone wall with the letters NN, acronym for Nacht und Nabel (a Nazi directive targeting political activists).
NEUENGAMME This camp was located near Hamburg in Northern Germany close to railway and metallurgy factories. With over 85 satellite camps the Neuengamme camp became the largest concentration camp in Northwest Germany. The memorial is created in white granite and the plaque reads in translation “under this stone is a bit of ash from the seven thousand French martyrs murdered by the Nazis at the Neuengamme Concentration Camp – they died for us to live free – their families and comrades, survivors have erected this monument to their memory November 13, 1949“
ORANIENBURG AND SACHSENHAUSEN Used primarily for political prisoners from 1936 to the end of the Third Reich in May 1945. The prisoners were also used as a workforce, with a large task force of prisoners from the camp sent to work in the nearby brickworks to meet Albert Speer’s vision of rebuilding Berlin. At the base of the monument, a symbolic barbed wire fence impales an emaciated prisoner.
RAVENSBRUCK was a camp exclusively for women from 1939 to 1945, located in northern Germany. The prisoners were used as slave labor. Two hands linked in captivity and solidarity emerge from roughly hewn stones one of which is engraved; Here lies the ashes of deported women martyrs of Nazi barbarism.
In the 19th century, separation of Dutch society into groups by religion and associated political beliefs (known as pillars) meant that many people had little or no personal contact with people from another pillar. Within the graveyard of Roermond in the Netherlands is a dividing wall separating Protestant and Catholic burials.
Married for 40 years Colonel J.W.C. van Gorkum was a Protestant, and noblewoman J.C.P.H. van Aefferden was a Roman Catholic. When the Colonel died in 1880 his wife knew that society would not allow her to be buried next to him. The solution was ingenious. Van Aefferden made arrangements for the Colonel to be buried near the wall, and she would be buried in the same location on the other side of the wall.
Two hands clasping across the divide symbolizes their love and union, and no doubt a visual rebuff against Dutch society at the time.
COL Jacobus Warnerus Constantinus van Gorkum (10 Jan 1809–29 Aug 1880)
Josephina Carlina Petronela Hubertina van Aefferden (28 Jun 1820–29 Nov 1888)
Marcel Broodthaers, a Belgian poet and artist, who died in 1976, designed his own gravestone located in Ixelles Cemetery, Brussels. Engraved on both sides the front of the stone reveals that he was born and died on the same day and month; there is speculation that he committed suicide and may have therefore designed his death.
A phrase on the front of the stone, O Mélancolie Aigre Château Des Aigles, (Sour Melancholy Castle Of Eagles) is part of a line from one of Broodthaers’ poems. In 1968, he announced that he was no longer an artist and appointed himself director of his own museum, which he called the Musée d’Art Moderne, Département des Aigles (Museum of Modern Art, Department of Eagles).
The back of the gravestone is a compendium of symbols, and is indicative of Broodthaers’ first solo exhibition in 1964 where he exhibited everyday objects, words, lettering and drawings.
This eclectic mix of symbols is accompanied by letters of the alphabet and the words, Moderato and Allegro which are both music tempos. The phrase Chez Le Droguiste Op Den Hoek appears to be Dutch and translates as, At The Druggist On The Corner.
In 1968 he used thin vacuum-formed plastic signs to create industrial poems with cryptic text and imagery. Academie I was one of those art forms relating geometric shapes to nature.
The clock at the top of the stone differs from similar symbols in that the Roman Numeral XII is outside the clock face. Both hands point to midnight yet one hand is also located outside the clock face.
A bottle, perhaps champagne, is marked with his birth year 1924.
One of his well-known works, Casserole and Closed Mussels, was created from accessible materials and everyday objects including eggshells and mussels. He published a poem on the subject of La Moule in which he described the mussel as a perfect creature which creates the shell which then contains itself.
A tobacco pipe emitting smoke is a reference to a painting, The Treachery of Images, by his friend and famous Surrealist Rene Magritte. It portrays an image of a pipe with the words, This is not a pipe.
The four geometric shapes reflect the 1966 Primary Structures exhibition in New York and Broodthaers’ later pronouncement that there are no primary structures.
And lastly, in the bottom right hand corner is the image of an open book. This reflects his first art object in which he embedded into plaster fifty unsold copies of his book of poems, Pense-Bête.
This historic Church of Scotland is located on the High Street in Dalkeith, Midlothian, Scotland. It is believed that a chapel dedicated to St. Nicholas has existed there since the early 12th Century.
In 1406, Sir James Douglas built and founded a Collegiate Church in the same location. The church and graveyard were located in the centre of town on the north side of the High Street ensuring that no individual living within the parish of Dalkeith was required to walk further than three miles to worship.
The ruined apse and chancel (areas containing the altar and the choir) contained two recumbent stone effigies marking the burial locations of Sir James Douglas, 1st Earl of Morton, and his wife Joanna, daughter of King James I.
Considered monuments of idolatry by the Reformation, the apse was abandoned and sealed from the rest of the church by a wall in 1592. Some parts of the building were allowed to fall into decay following the Reformation and eventually the roof collapsed. The old section of the church remains without a roof.
In 1650 Oliver Cromwell and his troops crossed the border into Scotland with the intention of capturing the city of Edinburgh and set up headquarters in the parish church. Soldiers broke open the poor box, set fire to furniture and used the space to stable their horses. The sacristy (a room where vestments and other things of worship are kept) was used as a prison.
In the early 18th century, the sacristy which had continued to be used as a jail became a burial vault for the Buccleuch family (Scottish peerage and local landowners).
The church was greatly altered in 1854, and the walls of the original church were embedded within the present building. A fire which destroyed the steeple in 1885 caused two 300 years old bells to crash to the ground.
The church was restored once more in the 1930s, and in 1979 the church was renamed St. Nicholas Buccleuch.
In 2005, the 21st Earl of Morton unveiled the newly-repaired Morton Monument. The 16th century figures had been carefully restored and looked magnificent. Morton said at the ceremony: “I think this has been a great achievement for all the people concerned in putting this together. It is a great achievement for the people of Dalkeith.”
The Alms Collection House, adjacent to the main gate, is thought to be the only building of its kind: built specifically for the purpose of collecting alms.
There are many memorials around the world commemorating those killed by Hitler and his Nazi party during the Holocaust (Holocaustis a word of Greek origin meaning sacrifice by fire.) Most of these memorials recognize mass graves or those killed en masse.
The following gravestones identify individual families who were killed at the whim of a madman during an era in human history which is shameful and abhorrent.
Memorial to the Stroch family.
Early on the morning of March 9, 1942, the transportation of Mielec’s Jews commenced. That morning, all the remaining Jews were marched at gun point out to the aircraft hangers at Cyranka. The elderly, sick and certain prominent people in the community, including the rabbi, were shot. For the next three days, while Mielec’s Jews were deported by train, those remaining at Cyranka were marched around the compound. Any that appeared weak, sick or injured were shot. Those killed during the transportation were buried in a mass grave near the aircraft factory. (from Mielec Through The Holocaust by Howard Recht).
Montparnasse Cemetery, Paris, France
For My Dikerman family Exterminated in Auschwitz-Birkenau Moise aged 53, maria aged 52, Abel aged 30 and Regine aged 29
Note: Prisoners being held at Auschwitz were used to build the Birkenau camp crematoriums. In 1942, Auschwitz-Birkenau was a killing center.
Sighetu Marmatiei, Romania
Remembering the Kallos family In Auschwitz 28 May 1944 He was martyred for being a Jew Kallos Dezsone Parent Szalpeter Roza 1884 Kallos Jolan 1909 Her husband Lebovits Bela Kallos Jeno 1911 Kallos Helen 1913 They have memories to be remembered
Note: In November 1944 the gas chambers were being dismantled.
Germany and Europe
In 1993 German artist Gunter Demnig had a simple and effective idea to honour those who were persecuted and murdered during the Holocaust. After locating the former residence of a Nazi victim, and with permission of local authorities, he installed a small commemorative cobblestone topped with a brass plaque in front of the residence. The title of each plaque Hier wohnte (Here lived) records the individual’s name, date of birth and death, and fate. The premise is ‘One victim, one stone’. The project which began in Germany can now be found throughout Europe.
A few fateful words which are found on the brass plaques.
Verhaftet : arrested
Enthauptet : beheaded
Tot : dead
Ermordet : murdered
Uberlebt : survived.
Here Lived Fredy Hirsch Circa 1919 Deported 6.9.1943 Auschwitz Flight into death (this phrase is used in cases of suicide) 8.3.1944
Note: Auschwitz was located in South Western Poland
Here lived Ida Arsenberg Maiden name Benjamin Circa 1870 Deported 1942 Murdered On the 18.9.1942 in Theresienstadt
Note: Theresienstadt was a Czechoslovakian camp/ghetto.
Anyone who did not fit Hitler’s model of the perfect Aryan race was routinely arrested, tortured, and eradicated. Those at risk were:
the mentally ill and physically challenged who were viewed as useless to society were euthanized in gas chambers.
homosexuals were segregated to prevent the spread of homosexuality, and were identified in the camps by pink cloth triangles. Nazis interested in finding a ‘cure’ for homosexuality conducted medical experiments on those prisoners.
Jehovah’s Witnesses whose beliefs did not allow the bearing of arms refused to swear allegiance to the Nazi state. Identified with a purple triangular patch they were considered enemies of the state.
Gypsies were considered racially inferior on a level with the Jews.
Jews were considered racially inferior and a threat to German community. The persecution began in 1938. They were identified within the camps by a yellow star on a white band worn on the right sleeve.
Children were routinely killed on arrival at the camps unless they were considered useful to the medical doctors. Twins were subjected to cruel medical experiments.